Press

"What Did Slim Aarons Really Think of the Opulent World He Photographed?", by Elyssa Goodman, Inside Hook, June 29, 2020 

"Collecting jet-set photography by Slim Aarons and co", by Rachelle Gryn Brettler, Financial Times, October, 2019

"Σε γκαλερί της Μυκόνου εκθέτει η Μάχη Πολυμεροπούλου" by Aris Papadopoulos, Ekirikas, September 25, 2018 

"Ελληνες και Ελληνοαμερικανοί καλλιτέχνες σε διεθνή έκθεση ζωγραφικής στο Μανχάταν", The National Herald, September 21, 2018

"Culture, art et scène underground : pourquoi aller à Athènes cet été", Konbini 2017

"Η επιστημονική φαντασία ως όργανο τροποποίησης της συνείδησης", Documento, December 5, 2017

"Unique experience in the "Control Center" of science fiction", Kathimerini News Room December 10, 2017 

"The Onassis Cultural Centre introduces a different “Control Center”", ERT International, December 8, 2017

"Science Fiction: Journey into the unknown" by Patrick Gyger Athens Voice, October 2017

"Dickasso: Penis Attention", by Daphne Passisi-Kokot, Vice Greece, September 3, 2017

"Beyond documenta 14: Navigating Athens’ Art Scene", by Natalie Hegert /MutualArt, April 12, 2017

"Your Guide to Navigating Athens’ Art Scene, Beyond documenta 14”, by Natalie Hegert, Huffington Post, April 14, 2017

“Why I moved to Athens" by Selana Vronti, Kathimerini, January 1, 2016

"Lee Wells Brings IFAC Arts to Athens", by Karen Kedmey, Artsy Editorial, November 30, 2015

"From New York to the New World", by Aris Malandrakis, Protagon November 24, 2015

"Artistic investigation of the Athenian situation", by Dimitris Athinakis, Kathimerini, November 6, 2015

"Artful Letters Encapsulate the Correspondence Between an Artist and a Scholar", by Michael Valinsky, Artsy Editorial, March 3, 2015

"Patrick Lichty, Sensible Concepts", by Daniel Durning, Clocktower Radio, January 2015

"Patrick Lichty’s Random Internet Cats Question a Sensible Way of Life", by Bridget Gleeson, Artsy Editorial, January 7, 2015

“Patrick Lichty at IFAC: Rise of the Machines" by Audra Lambert, Art Nerd, December 11, 2014

"On the Canary Islands, a Provocative Exhibition Examines “Post-Reality” and the State of Democracy" by Bridget Gleeson, Artsy Editorial, December 10, 2014

"Process at the International Fine Arts Consortium", by Lori Zimmer, Art Nerd October 8, 2014

"COSMOS CODEX: Vargas-Suarez Universal Explores Aerospace Through Art", by Makiko Wholey, Artsy Editorial, August 6 2014

"Catch Up with IFAC Arts" by Makiko Wholey, Artsy Editorial, January 21, 2014

"A Homage to Colette the Artist", Quiet Lunch, December 23, 2013

"El hombre que desafía a la guerra con muñequitos de juguete", by Jaled Abdelrahim, Yorokobu November 10, 2013

"Mykonos Biennale" L’Officiel, October, 2013

"Mykonos Biennale: Pirate States 2013", Rhizome June 22 2013

"100 Years in the Underground: Steichen to Sherman to Infinity", by Daniel Maidman, Huffington Post, March 20, 2013

"Brother, Can You Spare $2 Billion?: Is Artist Peter Fend an Autodidactic Genius or a Globetrotting Gadfly?", by Andrew Russeth, Observer, February 5, 2013

"Peter Fend: “What To Do Next?” Underground New York December 7, 2012

"On Art’s To-Do List: Climate Change", by Andrew Russeth, Observer, November 6, 2012 

"Art RX", by Jillian Steinhauer, Hyperallergic, August 16, 2012

"7 Things to Do in New York’s Art World Before August 19", by Andrew Russeth, Observer, August 13, 2012

"Artists Occupy Wall Street for a 24-Hour Show", by Colin Moynihan, New York Times, October 9, 2011

”Isabella Rossellini to judge video contest”, by Georg Szalai, The Hollywood Reporter, Oct, 16, 2009

“Scoping Out the Scope Art Fair”, by Carol Lee, Paper Magazine, March 2009

"Drift/Дрейф", by Max Seddon, Artchronika, December 2008

“Art was a coward”, by Irina Kulik, Kommersant, November 14, 2008

“PREDICTATE, participate & perpetuate”, Interview by Colette Copeland, Afterimage Magazine, Nov 2008

“In Transition Russia 2008”, by Helene Black and Alisa Prudnikova, NCCA and NeMe, (cat.) October 2008

“Video Synthesis”, by Ryan Seslow, QCC Art Gallery, City University of New York (cat.) May 2008

“Edition #23: Perpetual Art Machine (PAM)”, Interview by Daniel Durning, WPS1 Art Radio, April 2008

“Art Invasion at Coachella”, by Vanessa Franko, The Press-Enterprise / PE.com, February 5, 2008

“You Cant Stay Here PAM!” Interview by Eliza Fernbach, Furtherfield.org, December 2007

“Issue 59: Time Based Art / Video Art”, by Paul Laster, ArtKrush, May 30-June 12, 2007

“Perpetual Art Machine”, by Mark McBride, American Library Association, April 2007

“Art Fairs Take Manhattan”, by Leigh Anne Miller, Art in America, April, 2007

“PAM 1st anniversary, VTV Interviews Lee Wells”, by Theodore Bouloukos, Vernissage TV, March 14, 2007

“Rush Interactive”, by Michael Rush, WPS1 Art Radio, Dec 9, 2006

“Perpetual Art Machine: DIY show”, by Mark Clintberg, Art Newspaper, December 8, 2006

“Issue 155: high-bidding flavour”, by Kieran Wyatt, Flavorpill London, October 10-16, 2006

“The Source of Global Video Art”, by Jakov Kosanović, Slobodna Dalmacija, Sept. 30, 2006

“Perpetual Art Machine, Lee Wells”, Interview by Leah Oates, NY Arts Magazine, Sept 2006

“Scope Hampered?”, by Ban Davis, ArtNet Magazine, July 19, 2006

“Issue 318: anachronistic flavor”, by Jake Lancaster, Flavorpill NYC, July 11-17, 2006

“The Spectacle of Today”, by Candice Madey, NY Arts Magazine, June 8, 2006

“Front Page”, by Constance Wyndham, Art in America, May 2006

“Weekend Update”, by Walter Robinson, ArtNet Magazine, February 2006

“Scene & Herd, Fair Game”, by Michael Wang, Art Forum, February 2006

“Lee Wells of PAM”, Interview by Heinrich Schmidt, Vernissage TV, February 2006

“L'Isola dei Poeti”, by Laura Larcan, La Repubblica, June 7, 2005

“Portraits Etched in Grief” by Libby Copeland, The Washington Post, March 23, 2005

“At Arlington, a New Gallery of the Departed”, by Neela Banerjee, New York Times, March 23, 2005

“CULTURE/Call to arts”, by Carlos Suarez de Jesus, Miami Herald, October 29, 2004

“War.Art”, by Tina La Porta, New York Arts Magazine, September 15, 2004

“Critics Pick, Machines of Power”, by Fred Camper, The Chicago Reader, August 28, 2004

“ImageBomb, Obiettivo Pax”, Giovanna Minnucci (cat.) March 19, 2004

“FLUXLIST and SILENCE”, by Alison, Hannah, and Jessica Higgins, (booklet), December 26, 1998

“What's a FORPNEP?”, by Victor Cassidy, ArtNet Magazine, September 16, 1997

“Shooting Gallery”, by Mark Swartz, The Chicago Reader, June 19, 1996